| KRATKA VSEBINA | Po kratkem pregledu Aristotelovih omemb glasbev Poetiki se razprava osredotoči na Aristotelovo filozofijo oz. estetiko glasbe v Politiki. Aristotelova teorija države vključuje liberalno izobrazbo, ki je zasnovana na glasbi, mousiké. Ob navezavi na Damona, Platona in druge glasbene teoretike Aristoteles razvije pojme glasbe kot posnemanja, razumljenega kot sorodnost med umetnostjo in življenjem. Prav ta afiniteta omogoča razumevanje različnih glasbenih učinkov: sprostitve, vzgoje in katarze. Skrb za vzgojo državljanov je pri Aristotelu zgrajena kot skrb za umetnost (glasbo), ki tako postane prava skrb za dušo, cultura animi. Razprava je razčlenjena na naslednje paragrafe: 1. Pesništvo, glasba, vzgoja, 2. Ethos in glasbena mimesis, 3. Glasba in vzgoja, 4. Blagor glasbe in muzikalična katharsis, 5. Glasbena katarza, estetsko ugodje in umetnostno izkustvo, 6. Sklepne opombe o glasbi in katarzi. // Beginning with a short examination of Aristotle's observations on music in the Poetics the article concentrates on the Aristotelian philosophy of music in the Politics. An important part of Aristotle's theory of state is a comprehensive system of liberal education, which is grounded in music, mousiké. Referring to Damon, Plato and other philosophers of music Aristotle develops his own conception of musical imitation, which conveys the similarity between art and life. This affinity is the ground for different powers of music: entertainment, education and civilised pursuits.The responsibility and care for the education of children and of citizens is conceived as care and diligence about art and music which becomes a realcare for the soul, cultura animi. The article has following sections: 1. Poetry, music, education, 2. Ethos and musical mimesis, 3. Music and Education, 4. The purpose of music and musical katharsis, 5. Musical katharsis, aesthetic pleasure and art experience, 6. Concluding remarks on music and katharsis. |